Eliott Litrowski

Sobre

One would indeed be hard pressed to pin down the French-born, Copenhagen-based producer to a single genre or aesthetic, so much his craft defies the conventions of floor-calibrated music while opening the scope onto further meditation-friendly rhythms and abstract atmospherics. Key encounters with Kompakt founding member Tobias Thomas & Superpitcher, and Irakli (STAUB) - with whom Eliott has forged a durable friendship, gave another forward thrust to the young producer's blooming career; soon offering him the opportunity to perform at some of Paris' most reputed places (Concrete, 75021, Le Rex, La Machine du Moulin Rouge...) and European hotspots (://about blank, Culture Box, Griessmuehle, Claire...). His shrewd signature sound - an effervescing meshwork of Italo-Disco romantics, kosmische-informed electro, breaksy progs and EBM-tinged rhythmic outbursts, has since been featured on David Vunk's ever impeccably curated Moustache Records, via what's certainly his most accomplished record to date, 'Schmock Machine'. Eliott since resurfaced with a multisensory treat of a split-12" alongside Dutch analogue wizard Mark Du Mosch in 2019. Now firmly established in Copenhagen where he can synch his passion for music and his work as an architect, Eliott has found more of the space and time required to deploy his vision, which you'll soon get to hear a lot more of in the form of exciting solo endeavours and parallel collaborations.